The art world is buzzing with excitement as the South Bend Museum of Art presents its third biennial 'Around the Bend' exhibition. This captivating showcase, which began as a post-pandemic initiative, has evolved into a beloved tradition, offering a unique platform for local artists to shine. With 240 artists from eight counties in Indiana and Michigan, the exhibition is a testament to the vibrant creative community in the region.
What sets this exhibition apart is its curator, Frances Jacobus-Parker, and her innovative approach to curating. She has masterfully arranged the diverse artworks to spark conversations and connections, creating a dynamic dialogue between pieces. This technique not only highlights the individual artists but also fosters a sense of community and shared artistic expression.
One fascinating aspect is the absence of a specific theme. Instead, Jacobus-Parker has curated a diverse array of artistic styles and mediums, allowing visitors to explore a rich tapestry of creativity. From traditional canvas paintings to tribal Native American regalia and experimental photography, the exhibition challenges conventional boundaries. Personally, I find this approach refreshing, as it encourages viewers to engage with art on a deeper level, beyond the confines of a single theme.
The exhibition also serves as a platform for local artists to gain recognition. Jacobus-Parker's insight into the local art scene is eye-opening. Many artists, she discovered, lead double lives as grocery shoppers or playground regulars, with their artistic talents hidden from plain sight. This revelation underscores the importance of initiatives like 'Around the Bend' in unearthing and celebrating local artistic talent.
The open-call submission process further democratizes the art world, inviting artists of all skill levels to participate. While size restrictions ensure the safe transportation of artworks, the emphasis is on inclusivity rather than exclusivity. This approach aligns with the exhibition's goal of capturing the diverse art worlds and communities that coexist in the region.
As an art historian, Jacobus-Parker's fascination with contemporary art and its interplay with the past adds another layer of depth to the exhibition. Her role as a curator becomes a means of enriching the community, preserving the art history of the region, and fostering local arts coverage. This exhibition is not just about displaying art; it's about telling the story of a community through its artistic expressions.
In conclusion, 'Around the Bend' is more than just an art exhibition; it's a celebration of the local artistic spirit. It challenges traditional curatorial practices, embraces diversity, and highlights the importance of community-driven initiatives in the art world. This exhibition is a must-see for art enthusiasts and a powerful reminder of the rich cultural tapestry that exists in our own backyards.
